Blurred Lines

On a recent trip offshore with Dallas Hopper (Fantastic II charters), I mustered up the courage to hop in at 1,600 feet to photograph a school of mahi behind the boat. I starting shooting and realized my camera settings weren’t set for fast moving objects and quickly changed them to fit the scene. Upon returning home I was stoked to find this shot of a mahi which turned out looking more like a painting than a photograph. The shot ended up turning into my favorite from the shoot. IAN WILSON/

Previous articleNOW TRENDING
Next articleGetting up to speed

Leave a Reply

Must Read

Marathon celebrates its best

On Sept. 29, about 150 Marathon citizens (maybe more than that, whatever the maximum occupancy sign says) gathered for the annual Best of Marathon...
- Advertisment -